|
Survey
and Research Report
On The
Hovis
Funeral Home Building
1.
Name and location of the property:
The property known as the Hovis
Funeral Home Building is located at
516 North Tryon Street, Charlotte,
N.C.
2. Name and address of the present
owner of the property:
Five Hundred
Sixteen N. Tryon St., LLC
P. O. Box 35509
Charlotte, N.C. 28235-5509
3.
Representative photographs of the
property: This report contains
representative photographs of the
property.
4.
Maps depicting the location of the
property: This report contains a map
depicting the location of the
property. UTM Coordinate:
17514751E 3898397N.

5.
Current deed book and tax parcel
information for the property:
The
Tax Parcel Number of the property is
08003314. The most recent deed
reference to this property is
recorded in Mecklenburg County Deed
Book 10346, Page 099.
6.
A brief historical sketch of the
property: This report contains a
brief historical sketch of the
property.
7.
A brief architectural and physical
description of the property: This
report contains a brief
architectural description of the
property.
8.
Documentation of why and in what
ways the Hovis Funeral Home Building
meets the criteria for designation
set forth in N.C.G.S. 160A-400.5.
a.
Special significance in terms of its
history, architecture, and/or
cultural importance. The
Commission believes that the Hovis
Funeral Home Building does possess
special historical significance for
Charlotte and Mecklenburg County.
It bases its judgment on the
following
considerations.
1) The
Hovis Funeral Home Building was
designed by regionally important
architect William H. Peeps and is
one of five non-residential
buildings designed by Peeps that
survive in Center City Charlotte.
2) The Hovis Funeral Home Building
reflects the importance of Tryon
Street as the principal upscale
commercial street in early twentieth
century Charlotte.
3) The Hovis Funeral Home Building
is the only extant building in
Center City Charlotte that once
served as a funeral home.
b. Integrity of design, setting,
workmanship, materials, feeling
and/or association. The
Commission judges that the
description included in this report
demonstrates that the Hovis Funeral
Home Building meets this
criterion.
9.
Ad Valorem tax appraisal: The
Commission is aware that designation
would allow the owner to apply for
an automatic deferral of 50% of the
Ad Valorem taxes on all or any
portion of the property which
becomes designated as "historic
landmark." The current Ad Valorem
Tax appraised value of the building
is $212,200. The current Ad Valorem
Tax appraised value of the land is
$530,000. The total current Ad
Valorem Tax appraised value of the
entire property is $742,200.
Date of the Preparation of this
Report: January 2005
Prepared by: Dan L. Morrill and
Stewart Gray
Historic Essay: Historical Context
Of The Hovis Funeral Home Building
The
historical and architectural
significance of the Hovis Funeral
Home Building can best be understood
within the context of Charlotte’s
overall commercial development.
The
Hovis Funeral Home Building was
constructed in the mid-1920s and was
designed by William H. Peeps
(1868-1950), an architect of local
and regional importance. Tryon
Street had become Charlotte’s
principal upscale commercial and
institutional thoroughfare by the
early 20th century,
containing such significant
structures as the Ratcliffe Florist
Shop, Ivey’s Department Store, the
Latta Arcade (all fashioned by
Peeps), two skyscrapers (the
Johnston Building and the First
National Bank Building) and several
churches.
Commerce has been central to the
development of Center City Charlotte
at least since 1852, when the tracks
of the Charlotte and South Carolina
Railroad reached the city.

The 1850s witnessed the
arrival in Charlotte of several
enterprising Jews who drew upon
their experience in the mercantile
trade and established retail and
wholesale outlets here. Among them
were Samuel
Wittkowsky and Jacob
Rintels.
In 1862, these two men joined forces
to establish
Wittkowsky and
Rintels,
a wholesale mercantile firm on South
Mint Street that would eventually
become one of the leading businesses
of its type in the two Carolinas.
By the 1870s,
Rintels and
Wittkowsky
were among the wealthiest men in
town; and in 1874 they expanded into
the retail trade in a building they
leased on West Trade Street. The
local newspaper began publishing
advertisements that described the
"new and desirable goods" that the
firm received by railroad from New
York City.
Rintels died at the age of 40
on June 20, 1876; but
Wittkowsky,
who lived until February 13, 1911,
remained an important civic figure
for many years.[3]
In 1883, no doubt spurred by the
increasing need for housing,
Wittkowsky
and other local investors
established the Mechanics Perpetual
Building and Loan Association, later
the Home Federal Savings and Loan
Association.[4]
Wittkowsky
also headed the Masonic Temple
Association in
Charlotte in the late 1860s
and early 1870s and led the
successful fundraising campaign to
establish a local lodge.[5]
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This is the "Osborne
Corner." Note the name "S.
Wittkowsky" on the store
building on West Trade
Street. |
Many small shopkeepers operated
in Charlotte in the late nineteenth
and early twentieth centuries; and
they too took advantage of the
substantial growth that was
occurring here due mainly to the
emergence of Charlotte and its
environs as a
major textile industrial
area in the Piedmont. As with
William Treloar,
Jacob Rintels,
and Samuel
Wittkowsky, many moved here
from the North. John W. Sheppard
arrived in 1896 from New Jersey and
established a drugstore on the
“Osborne Corner” or the northwestern
corner of the Square.[6]
Annie Augusta “Gussie” Newcomb and
her sister-law, Susie A. Newcomb,
who had come with their husbands to
Charlotte from White Plains, N.Y. in
1879, purchased Miss Gray's
Millinery Store at 24 W. Trade St.
Gussie and Susie catered to the
wealthier ladies of the community.
Gussie would travel to New York City
to acquire the finest material and
ribbons. The making of the elaborate
hats of that era, resplendent with
ornamental trimming, was done in the
store by several milliners. To say
that your hat came from Newcomb's
was “enough said.” The store was a
resounding success.[7]
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The Crowell-Berryhill Store
is the oldest commercial
standing in Center City
Charlotte |
Grocery stores occupied an
important place in Charlotte’s
retail trade. The oldest commercial
building surviving in Center City
Charlotte is the Crowell-Berryhill
Store at 401 West Ninth Street. A
designated historic landmark, the
store opened in 1897. The owner of
longest duration was Earnest Wiley
Berryhill
(1865-1931) who was known as a
gracious and considerate man, who
ran a charge and delivery store.
Berryhill
sometimes gave free baskets of food
to customers who could not pay.
Working with him in the store for
many years was
Berryhill’s longtime black
employee, Amzie
Roseman,
who was a familiar figure to those
who traded at the store and lived in
Fourth Ward.[8]
There were also restaurants and
saloons in Center City Charlotte in
the late 1800s and early 1900s. In
April 1902, J.
Luther Snyder, a Virginia native,
arrived from Atlanta, where he had
worked for the Coca-Cola Company for
two years. He settled here to
establish the first Coca-Cola
bottling plant in the Carolinas.
"When I came to Charlotte, the city
had 17,000 people, eighteen saloons,
two breweries . . . and I had a
terrible time selling soft drinks
with that kind of competition,"
Snyder remembered.[9]
According to some residents,
Charlotte was "awash in booze."
A.M.E. Zion Bishop Henry
Lomax insisted
in 1881 that “Charlotte was haunted
with more drunken men, in proportion
of the population, than he had ever
seen and he had traveled in every
State of the Union except three.”[10]
On
Christmas Day 1880 groups of young
men roamed through town like
participants in a “carnival of
intemperance,” commented another
observer.[11]
Retailer David Ovens, who arrived in
1903, noted that the only decent
restaurant in town was “The Gem” on
South Tryon Street. No
restaurants or
saloons of that era survive.[12]
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This ornate Belk Facade was
destroyed in the 1990s. |
Charlotte’s retail business
expanded significantly between 1890
and 1910 to keep pace with the
burgeoning population of Charlotte
and the surrounding countryside. The
population of the town increased
from 18,091 in 1900 to 34,010 in
1910, partly due to annexation.
William Henry Belk (1862-1952)
opened a dry goods store in Monroe,
N.C. in 1888 and persuaded his
brother, Dr. John M. Belk, to join
him in the business. The Belk
Brothers successful formula was to
sell clearly marked, quality
merchandise at reasonable prices,
for cash only, treat all customers
with respect irrespective of their
financial status, and to institute a
“no-questions-asked” return policy.
Belk Brothers established their
first store in Charlotte on
September 25, 1895. On October 6,
1910, the
Belks
opened a new three-story store on
East Trade Street. It had an
impressive, highly ornamental front
façade. Live music was provided by
Richardson's Orchestra for the gala
occasion, which was held from eight
to eleven in the evening.[13]
The building was demolished in the
1990s to make way for the present
headquarters of Bank of America.
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Joseph Efird |
The building with the Belk
sign on the side was
originally the Efird's
Department Store. All of
these building were
demolished to make way for
the Bank of America
Building. |
The second major dry goods
store to open in the early 1900s in
Center City Charlotte was
Efird’s
Department Store. Beginning
operations as the “Racket Store”
and soon thereafter as the “Bee
Hive” on the corner of East Trade
Street and North College Street, the
store was bought by Anson County
native Hugh
Efird and two of his
brothers, Joseph and Edmund, in
1907; and the name was changed to
Efird’s
Department Store. Joseph
Efird
took charge of the Charlotte store
after Hugh died in 1909 and oversaw
the creation of a chain of stores
that eventually included over 50
retail establishments across the
Carolinas and Virginia, all directed
from Charlotte.
Plans were announced in 1922
plans for
constructing a brand new half
million dollar
Efird’s Department Store on
the much-sought-after 100 block of
North Tryon Street. The site gave
Efird’s
an advantage over its main rival,
Belk Department Stores. A bronze
plaque was placed on the front of
the building in memory of Hugh
Efird.
The new flagship store was designed
by locally renowned architect Louis
Asbury and was built on the site of
the old Charlotte Hotel next to City
Hall. It was a state of the art
store, five stories high with over
100,000 square feet of floor space
including a bargain basement and a
spacious dining room on the top
floor. Perhaps the most impressive
feature of the building for its
time, however, were the escalators
which made
Efird’s the only store south
of Philadelphia which could boast of
such a convenience, and gave this
Charlotte department store temporary
bragging rights over even the
renowned Macy’s of New York. The
building too was sacrificed in the
1990s so the present headquarters of
Bank of America could be erected.[14]
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J. B. Ivey |

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Ivey's Department Store
Building in the 1970s. |
The third major department
store that appeared in Center City
Charlotte in the early 1900s was
Ivey’s. Joseph Benjamin Ivey, the
son of a Methodist preacher, opened
a small store room in rented space
near the Square on February 18,
1900. He, like William Henry Belk
and Hugh and Joseph
Efird,
came to Charlotte at the turn of the
century to take advantage of the
local booming cotton mill economy.
Ivey's first day's sales totaled
$33.18. "We had to study carefully
and push the lines that the other
merchants did not make a specialty,"
the enterprising merchant explained
many years later. "For instance, at
one time brass buttons were quite
the rage. I was careful to keep in a
supply all of the time while the
other merchants were not noticing
and allowed their stock to get low."
Among Ivey's early employees was
David Ovens, a Canadian who joined
J. B. Ivey & Company in 1904. "I
would probably have been satisfied
with a moderate business that would
make something over a living," said
Ivey, "but Mr. Ovens was ambitious
to make J. B. Ivey & Company a big
store and the business grew rapidly
under our combined efforts." A
devout Methodist, Ivey insisted that
the curtains be drawn in his store
windows on Sundays, so that the
pedestrians would not be tempted to
consider matters of this
world on the Lord's
day.
Happily, the Ivey’s Department
Building survives. This elegant
structure at Fifth and North Tryon
Streets was designed by architect
William H. Peeps and opened as the
new home of J. B. Ivey & Company in
1924. A native of London, England,
Peeps came to Charlotte in 1905 from
Grand Rapids, Michigan, where he had
been a furniture designer. Peeps
lived here and thrived as an
architect until his death in 1950.
Peeps would serve as president of
the North Carolina Chapter of the
American Institute of Architects.[15]
Ivey’s was renovated and enlarged in
1939. On May 4, 1990, the company
was purchased by Dillard's, another
department store chain. The Ivey’s
Department Store Building
has since
been converted into condominiums.[16]
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William H. Peeps |
Latta Arcade |
Peeps
was also the architect
of the Latta
Arcade and the
Ratcliffe Florist Shop on
South Tryon Street and the
Hovis
Funeral Home on North Tryon Street –
all constructed in the first three
decades of the twentieth century.
Opening in 1914 and inspired by the
Grand Central Palace Exhibition
Building in London, the two-story
Latta
Arcade housed the offices of the
Charlotte Consolidated Construction
Company, the developers of Dilworth,
plus a range of other offices and
retail outlets.[17]
In 1917, Louis G.
Ratcliffe,
a native of Henrico County,
Virginia, opened a florist shop next
to the Latta
Arcade. After military service
during World War I, he returned to
Charlotte and was a civic leader in
this community for more than 50
years. He died in 1961. So
successful was
Ratcliffe at supplying
flowers for weddings, funerals and
other special occasions that he
decided to erect his own building in
1929. The
Ratcliffe Florist Shop, which
has recently been moved a short
distance and incorporated
into a
large mixed use project, is an
almost whimsical expression of
Mediterranean motifs.[18]
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Ratcliffe's Florist Shop
Building |
Hovis Funeral Home Building |
Another pre-World War Two
commercial building designed by
Peeps that survives on Tryon Street
is the Hovis
Funeral Home Building. It is the
only extant structure in the Center
City that once served as a funeral
home.
Erected in the 1920s, this eclectic
Classical style building served for
many years as the site of the Z. A.
Hovis &
Sons Funeral Home. As with
Peeps's
other buildings in Center City
Charlotte, the
Hovis Funeral Home draws upon
traditional patters of design,
including arches and
quoining.
Also, the building underscores the
role of Tryon St. as the principal
upscale commercial street in
Charlotte in the first half of the
twentieth century.[19]
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Architect Louis Asbury |
Peeps was
not the only notable local architect
who fashioned commercial buildings
in Center City Charlotte in the
first half of the twentieth century.
Louis H. Asbury (1877-1975) was the
son of S. J. and Martha Moody Asbury
of Charlotte. In addition to being
one of the first carriers of the
Charlotte Observer, the young
Asbury assisted his father, who was
a builder of houses in Charlotte in
the 1890s. He subsequently
matriculated at Trinity College, now
Duke University, and graduated from
that institution in 1900. Having
acquired his professional training
at the Massachusetts Institute of
Technology, Asbury returned to
Charlotte and established his
architectural practice in 1908. In
the succeeding decades, Louis H.
Asbury assumed a position of
prominence and leadership in the
architectural profession. He was the
first North Carolina member of the
American Institute of Architects and
played a leading role in organizing
the North Carolina Chapter of the
A.I.A.[20]
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Oscar J. Thies Automobile
Sales and Service Building |
Montaldo's Building |
Louis Asbury was responsible
for two noteworthy commercial
structures that still stand on North
Tryon Street.
Montaldo’s, a retail outlet
for expensive women’s attire and
accessories, opened in the 1920s and
was expanded in 1950s. Asbury
designed the original or northern
part of the building; and his son,
Louis Asbury, Jr., was the architect
for the southern half of the store.[21]
Louis Asbury was the architect of
the Oscar J.
Thies Automotive Sales and
Service Building at 500 North Tryon
Street. By the 1920s, automobiles
were becoming increasingly available
for purchase by the middle class;
and businessmen such as
Thies
sought to take advantage of this
expanding market. The
Thies
Building was completed in 1922 and
was occupied by the Roamer
(automobile) Sales Agency.
Hipp
Chevrolet rented the building in
1923, and in 1925, Carolina
Oldsmobile occupied the building and
remained there through 1930.[22]
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This Cottage Style service
station stood on North
Graham Street until 2004.
It was demolished as part of
a road improvement project. |
The demands of the
automobile increasingly shaped the
built environment of Center City
Charlotte as the twentieth century
progressed. Additional automotive
dealerships appeared, including the
Thomas Cadillac Company and
the Frye
Chevrolet Company (1934) at 416 West
Fifth Street.[23]
Service stations also came into
existence. The only pre-World War
Two example that survives in Center
City Charlotte is the former
Standard Oil Company Service Station
at 1010 North Tryon Street.[24]
Even more profoundly, the automobile
forced retailers to provide ample
parking. The most graphic example
of the transformation that began to
occur in Uptown retailing in the
decade immediately following World
War Two was
the decision of Sears Roebuck and
Company to erect a complex of
buildings and a large parking lot on
North Tryon Street and North College
Street. On May 5, 1949, Mayor
Herbert H. Baxter joined civic
leaders, including Charlotte Chamber
of Commerce president
J. Norman Pease, and Sears
officials at opening day,
ribbon-cutting ceremonies for a
large Sears Roebuck and Co. retail
store and parking lot on North Tryon
St.[25]
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The Sears Store on S. Tryon
Street had no parking lot
and was designed for
pedestrian traffic. |
The new Sears Store on N.
Tryon Street followed an
essential suburban model. |
South Tryon Street was also
dramatically impacted by the advent
of the automobile. Charlotte
architect J. Norman Pease, Jr. , who
had been educated in the Modernist
tradition at North Carolina State
and Auburn University, designed an
award-winning building for the Home
Finance Company in 1958.
The
structure exhibits many of the best
characteristics of Modernism.
Devoid of applied ornamentation and
exploiting contemporary materials,
the Home Finance Building has
expansive windows to allow large
amounts of light to enter the second
floor offices. The stairway and
hallway are on the outside of the
building, thereby allowing a more
efficient use of interior space.
Originally, the lower floor was used
for customer parking. The concept
was that customers could park on the
lower level rather than needing a
large area paved outside the
building. Unfortunately, the bottom
floor has since been enclosed for
additional office space and a
parking lot has been built, thereby
depriving the Home Finance Company
Building of some of its integrity.26
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Home Finance Company
Building |
Automobiles were to park
beneath the building |
In summary, the retail stores of
Center City Charlotte have
continuously evolved in response to
changes in the marketplace. New
forms of transportation have been
especially significant in this
regard. Before 1852 customers had
to walk or ride in buggies or wagons
to get from one place to another.
The coming of the railroad in 1852,
horse-drawn streetcars in 1888, and
the opening of electric streetcar or
trolley service in 1891, gradually
transformed Charlotte's built
environment and gradually gave rise
to the appearance of suburbs. The
arrival of the automobile in the
first decade of the twentieth
century and the enormous expansion
of their numbers following World War
One gave even greater momentum to
this process. Although totally
understandable, these powerful
inducements for change have meant
that very few retail buildings
endure in Center City Charlotte.
Indeed, the Center City is now
entering a new era as more
residential units are being built,
thereby giving rise to more
pedestrian traffic. In some sense
history does repeat itself.
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This 1955 photograph at the
rear of the Johnston
Building demonstrates how
the automobile was
transforming the built
environment of Center City
Charlotte. |
[1]
Dr. William H. Huffman, “Survey and
Research Report on the Garibaldi and
Bruns
Building,” June
5, 1985.
[2]
Dr. Dan L. Morrill, “Survey and
Research Report on the William
Treloar
House,” July 3, 1984.
[3]
Dr. Dan L. Morrill, “Survey and
Research Report on the
McManaway
House,” June 1, 1977. Jacob
Rintels
House stood on West Trade St. but
was moved to Queens Road in Myers
Park in 1916 by its new owner, Dr.
Charles
McManaway. The house still
stands at 1700 Queens Road.
[4]
Dr. Richard L. Mattson, “Survey and
Research Report on the Home Federal
Savings and Loan
Buildng,”
November 25, 2001.
[5]
Dr. Dan L.
Morrill and Jack O.
Boyte,
“Survey and Research Report on the
Masonic Temple,”
n.d.
[6]
Dr. Dan L. Morrill and Nora M.
Black, “Survey and Research Report
on the John W. Sheppard House,”
January 29, 1992. The John W.
Sheppard House still stands at 601
North Poplar Street.
[7]
Dr. Dan L.
Morrill, “Survey and Research Report
on the
Berryhill
House,”
n.d.
Gussie Newcomb’s House still stands
at 324 West Ninth Street.
[8]
Dr. Dan L. Morrill, “Survey and
Research Report on the Crowell-Berryhill
Store,” July 7, 1982.
[9]
http://www.cmhpf.org/essays/cocacola.html
[10]
http://danandmary.com/hisofcharlottechap8new.htm
[11]
http://danandmary.com/hisofcharlottechap8new.htm
[12]
http://landmarkscommission.org/educationovens.htm
[13]
Dr. Dan L. Morrill, “Survey and
Research Report on the Belk Façade,”
April 3, 1985.
[14]
Christina A. Wright, “Survey and
Research Report on the Withers
Efird
House,” June 30, 2000.
[15]
Frances P. Alexander and Dr. Richard
L. Mattson, “Survey and Research
Report on the
Latta Arcade,” July 20, 1994.
Hereinafter
cited as
Latta
Arcade.
[16]
Dr. Dan L. Morrill, “Route VII.
Uptown Walking
Tour Part 2”
(landmarkscommission.org),
n.d.
[17]
Latta
Arcade.
[18]
Dr. Dan L. Morrill, “Route VII.
Uptown Walking
Tour Part 2”
(landmarkscommission.org),
n.d.
[19]
Dr. Dan L. Morrill and Stewart Gray,
“Survey of Historic Buildings in
Center City Charlotte,” November
2004.
[20]
Dr. Dan L. Morrill, “Survey and
Research Report on the Advent
Christian Church,” November 2, 1987.
[21]
Ibid.
Mecklenburg Iron Works Drawings,
1945-1968 (UNCC Manuscript
Collection 190 in the J. Murray
Atkins Library).
[22]
Dr. Dan L. Morrill and Nora M.
Black, “Survey and Research Report
on the Oscar J.
Thies Automotive Sales and
Service Building,” July 24, 1992.
[23]
http://cmhpf.org/Frye%20Chevrolet.htm.
[24]
http://cmhpf.org/uptownsurveystandardoil.htm.
[25]
http://cmhpf.org/uptownsurveyhistorysears.htm
26.
http://landmarkscommission.org/uptownsurveyhomefinance.htm
Architectural Description: Hovis
Funeral Home Building
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The Hovis
Funeral Home is the work of
the prolific Charlotte
architect William Peeps.
Facing west along North
Tryon Street, the narrow,
two-story building sits
opposite the imposing
edifice of the Gothic
Revival Style First United
Methodist Church. The ca.
1925 funeral home is located
in the center of the block,
surrounded by other low-rise
commercial buildings. The
nature of the 500 block of
North Tryon changed
drastically between the
First World War and the
onset of the Great
Depression. According to a
Sanborn Company Map, the
block was entirely
residential in 1911. But
later maps indicated that by
1929, the real estate
bordering on Tryon Street
was largely commercial in
nature. By 1929, the Hovis
Funeral Home shared the
block with the Oscar J.
Thies Automobile Sales and
Service Building, the
massive Guthery Apartment
Building, and the now
demolished Colonial
Apartments. |
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The somber
nature of the mortuary
business is reflected in the
architecture of the
building. Peeps
incorporated elements of the
Gothic Revival Style into
the building, a style not
commonly found in 20th
century commercial
buildings. The building’s
prominent entrance, and the
use of quoins, and
elaborately bordered panels
and shields, may have been
influenced by the Beaux Arts
Style. The building’s
ornate façade rests on a
simple granite foundation
that incorporates stone
front steps. Small basement
windows pierce the granite
foundation.
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The façade is
composed of a prominent
projecting central bay,
constructed of sandstone.
The bay contains the
entrance and all of the
windows that pierce the
façade on the first and
second stories, and is
flanked by narrow blank bays
constructed with tan
wire-cut brick. The change
in the masonry between the
central and side bays mimics
the dental pattern of the
quoins. The central bay is
itself divided into three
sections.
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The entrance
is sheltered by a wide but
shallow Tudor archway that
shelters a replacement
door. Separated from the
entrance by simple pilasters
are Tudor-Arch window
openings containing original
casements that feature
trefoil tracery. The
first-story fenestration is
topped by a limestone
cornice that could also be
interpreted as a balustrade
sill for the second-story
windows.
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The cornice
features the four flared and
pointed capital of the
pilasters. These capitals
are connected by a belt
course of stone panels.
Second-story windows
openings reflect the
dimensions of the
first-story fenestration.
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The center
window opening contains four
replacement divided-light
sash. These tall ten-light
sash are each topped with
two-light transoms, and are
similar in design to the
original sash as depicted in
a directory add from the
1930’s. The center window
opening is flanked by
narrower window openings
containing paired sash also
topped with transoms. The
second-story windows are
topped with a moulded
cornice that extends across
the blank side bays and
wraps around the building.
Above the cornice rises a
parapet. Like the rest of
the façade, the parapet is
divided into three sections,
with center section realized
in limestone and the
secondary bays featuring
wire-cut brick. The center
section is composed of
vertical stone panels that
rise into a low Flemish
gable with a thick coping,
and featuring a cartouche.
The brick sections of the
parapet feature ornate
rectangular1 scuppers.
In contrast
to the facade, the sides and
rear of the building are
unadorned. The building is
seven bays deep. The side
walls are topped with a
stepped parapet, protected
by terra cotta tile. On the
north elevation, first and
second story window openings
are filled with replacement
double-hung window.
Basement-level window
openings are filled with
glass block. An original
feature of the building is
the beveled northeast
corner, probably designed to
allow vehicles access to the
rear of the building. The
rear of the building
features a wide garage
opening topped with a steel
lintel. The south
elevation is partially
obscured by a neighboring
building and is otherwise
blank. |
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